A native of Hot Springs, Arkansas, actress and vocalist Betty Brewer sang with Ray Heatherton’s sweet orchestra in 1942 before joining Tommy Dorsey’s band in June 1943, where she replaced Liz Tilton. Dorsey made a big production out of “discovering” Brewer and planned to give her a major build-up, something he’d never before done with a female vocalist.
While Brewer’s transition from the upper crust hotel circuit to the ballroom circuit proved successful, the singer never achieved the same level of success as had Dorsey’s previous two build-ups—Jack Leonard and Frank Sinatra. Still, she proved popular enough with the bandleader that she survived his August 1943 purge, when he fired almost his entire orchestra and built a new band. Brewer remained with Dorsey until April 1944, when she left to go solo, though unfortunately her tenure with the famous bandleader was entirely during the American Federation of Musician’s recording ban, and she didn’t enter the studio with him.
After leaving Dorsey, Brewer joined the road company of Cole Porter’s Let’s Face It, where she played the lead. She then toured Europe in a dramatic role. Brewer was back to singing in mid-1946 when she won the “pick a dame” contest on New York radio station WHN to fill in the quartet of Hi, Lo, Jack and the Dame. The singing group had broken up several years prior when male members Bob Evans, Dave Vogel, and Don McCleod entered the service and had reorganized. Their original female member had since gotten married and retired. Brewer herself soon retired for the same reason.
Brewer returned to singing again in mid-1947. To welcome her back, Swank Records threw a yachting party on a boat owned by Cliff “Ukelele Ike” Edwards. That year, she recorded with Bill Gale and his Globe Trotters on Columbia and as part of the vocal group Betty Brewer and Her Boyfriends earned a regular spot on the CBS radio program, Here’s to You, also known as Hires to You after its sponsor, Hires Root Beer, which ran from February 1947 to July 1948.
In November 1949, based on the strength of her vocals for the Gordon Jenkins recording of “Don’t Cry, Joe” earlier that year, Decca Records inked Brewer to a contract of her own. She recorded several songs for the label in early 1950, two of which were re-released in 1952. As a Decca artist, Brewer enjoyed a short span of popularity, appearing on several television programs in 1950 and 1951, including the musical drama Downbeat and the Little Show, both on NBC, DuMont’s Cavalcade of Bands, ABC’s Holiday Hotel, also later known as Don Ameche’s Musical Playhouse, and The Ed Sullivan Show, where sang with Jenkins. She also continued to sing on radio during this time.
Brewer’s career tapered off after her Decca contract expired. In 1953, she appeared on the Bill Cullen Show and recorded with Ted Tyle’s band. In the mid-1950s, she became a regular on the Dorsey Brothers’ television program Stage Show.
IMDB mistakenly includes several of these programs on their page for child actress Betty Brewer, who occasionally sang during her short movie career from 1940 to 1944. ↩︎