FrancesWayne

Frances Wayne

Vocalist Frances Wayne began to make a name for herself in New York during 1942. She sang with Jerry Wald’s new outfit at the Roseland Ballroom in March of that year, and the following month she appeared with Nick Jerret’s six-piece combo at Jive Canyon. In May, she joined Charlie Barnet’s orchestra, where she stayed for four months, recording with the band on one of its classic numbers, “That Old Black Magic.”

After leaving Barnet, Wayne hit the nightclub circuit for a year, sometimes singing with Jerret, before joining Woody Herman’s Herd in late 1943. It’s with Herman that she sealed her fame and is best remembered. She stayed with the band for more than two years, performing on several of their most popular numbers.

Wayne’s vocal talents put her in high demand during this period. In July 1945, Herman’s label, Decca, agreed to lend her to Victor for one disk so that she could record with Duke Ellington. And in September of that year, Columbia, who was then marketing Herman’s records, gave her permission to cut solo material on the Musicraft label. It was an unusual decision, and the first time that a singer had been allowed to record solo on another label while still remaining with their band. She cut four songs for Musicraft, backed by the orchestra of Ralph Burns.

While with Herman, Wayne met trumpet player Neal Hefti. The two fell in love and married on November 3, 1945, in Boston. Hefti quit the band in January 1946, and Wayne left the following month after a disagreement on salary. She hit the nightclub circuit again, and in June 1947 signed a one-year deal with the Exclusive label, where she recorded backed by the orchestras of Buddy Baker, Les Robinson, and Hefti. She also appeared with Shorty Sherock’s orchestra in their 1947 self-titled musical short.

In July 1951, Wayne and Hefti signed as a couple to Coral Records. The label planned to market them as a Mr. and Mrs. band, backed by studio musicians, with Wayne also recording solo. They recorded together until 1953, when Wayne decided to retire from the music business and have children. Pat O’Connor replaced her as Hefti’s vocalist.

Wayne didn’t stay retired for long however. She returned to singing in the mid-1950s and went back on the nightclub circuit before rejoining her husband as vocalist with his new jazz combo in August 1956. Wayne also recorded solo on Epic in 1956 and on Atlantic and Brunswick in 1957.

In 1960, the couple moved to California, settling in Encino, and Wayne retired from singing again to take care of their two children. Hefti and Wayne were presenters at the 1961 Grammy awards. Wayne, however, never performed again except for a comeback appearance in November 1974, after their children had grown. She planned to continue her singing career at that time, but it never materialized.

Francis Wayne died from cancer in 1978.

Music

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  • That Old Black Magic
    Charlie Barnet (Frances Wayne), Decca (1942)
  • I Couldn't Sleep a Wink Last Night
    Woody Herman (Frances Wayne), Decca (1943)
  • The Music Stopped
    Woody Herman (Frances Wayne), Decca (1943)
  • Irresistible You
    Woody Herman (Frances Wayne), Decca (1944)
  • Saturday Night (Is the Loneliest Night of the Week)
    Woody Herman (Frances Wayne), Decca (1944)
  • Gee, It's Good to Hold You
    Woody Herman (Frances Wayne), Decca (1945)
  • Happiness Is a Thing Called Joe
    Woody Herman (Frances Wayne), Decca (1945)

All recordings are from the Internet Archive's 78rpm collection. Copyright owners, please see our removal policy.

Sources

  1. The Online Discographical Project. Accessed 12 Nov. 2015.
  2. Carter. “On the Stand: Jerry Wald.” Billboard 21 Mar. 1942: 24.
  3. “On the Stand: Nick Jerret.” Billboard 4 Apr. 1942: 21.
  4. “Buffalo Grabs Sock 20G, Century 10G.” Billboard 23 May 1942: 18.
  5. “Orchestra Notes.” Billboard 19 Sep. 1942: 23.
  6. “Possibilities.” Billboard 10 Oct. 1942: 5.
  7. “Vaudeville Reviews.” Billboard 20 Nov. 1943: 20.
  8. “Popular Record Reviews.” Billboard 10 Jun. 1944: 19.
  9. “Frances Wayne Lend_Leased to Duke for Disk.” Billboard 28 Jul. 1945: 19.
  10. Billboard 8 Sep. 1945: 18.
  11. “Two for One.” Billboard 6 Oct. 1945: 23.
  12. “Marriages.” Billboard 17 Nov. 1945: 43.
  13. “Wayne Walk-Out Only Herd Change.” Billboard 9 Feb. 1946: 34.
  14. “Night Club Reviews: Blue Angel, New York.” Billboard 13 Jul. 1946: 40.
  15. “Music as Written.” Billboard 7 Jun. 1947: 35.
  16. “Music as Written.” Billboard 12 Jul. 1947: 36.
  17. “Advanced Record Releases.” Billboard 30 Aug. 1947: 32.
  18. “Advanced Record Releases.” Billboard 20 Sep. 1947: 41.
  19. “Advanced Record Releases.” Billboard 8 Nov. 1947: 32.
  20. “Music as Written.” Billboard 21 Feb. 1948: 35.
  21. “Coral Guns at Hefti Promotion.” Billboard 4 Aug. 1951: 12.
  22. “Music as Written.” Billboard 15 Sep. 1951: 18.
  23. “Music Popularity Charts.” Billboard 6 Sep. 1952: 62.
  24. “Album and LP Reviews.” Billboard 27 Jun. 1953: 40.
  25. “Neal Hefti Band at Hershey Saturday.” Gettysburg Times 17 Jul. 1953.
  26. Kilgallen, Dorothy. “The Voice of Broadway” Kentucky New Era [Hopkinsville, KY] 10 Aug. 1956: 4.
  27. Kilgallen, Dorothy. “The Voice of Broadway” Daytona Beach Morning Journal 6 Dec. 1956: 4.
  28. “Packaging Parlays Pay Off.” Billboard 28 Jul. 1956: 40.
  29. “Epic Pacts New Talent in Singles Field.” Billboard 18 Aug. 1956: 37.
  30. “Reviews and Ratings of New Jazz Albums.” Billboard 29 Apr. 1957: 37.
  31. “Label Extends Fall LP Deal.” Billboard 9 Sep. 1957: 15.
  32. “Music As Written.” Billboard 31 Oct. 1960: 63.
  33. “Accolading Runs Slick as Paint.” Billboard 17 Apr. 1961: 4.
  34. Feather, Leonard. “...and All That Jazz.” The Milwaukee Journal 25 Jun. 1966: 2.
  35. Feather, Leonard. “After films, concerts are new Hefti bag.” The Milwaukee Journal 13 Jan. 1975: 3.
  36. O'Brian, Jack. “Voice of Broadway.” Sarasota Journal 7 Mar. 1978:
  37. “Deaths.” Billboard 18 Feb. 1978: 74.
  38. “Neal Hefti Biography.” Billboard n.d. Web. 12 Nov. 2015.

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