Singer Marion Cox joined Duke Ellington’s orchestra for a trial run in June 1946 as a potential replacement for the departed Joya Sherrill. Her initial performance was marred by microphone failure, but once she finally got started, she earned a permanent spot in the band. Described as a “tall, striking gal,” Cox stayed with Ellington until June 1947.
Cox worked briefly with Ellington again in the summer of 1950 and also with Count Basie later that same year.